
May 14th saw the passing of a major figure in the Raleigh alternative arts scene of the 80’s, Russell Boone, publisher of Scream magazine. Russell had a stroke in 2003 and then an accident involving traumatic brain injury in 2004, and had been cared for since by his wife and publishing partner, Katie Boone. She held a memorial gathering at the PR, and the attendees represented a fine tribute to Russ as well as a fascinating cross section of a certain segment of Raleigh’s intellectual culture. Russell was a Vietnam War veteran who made a pretty complete break with his earlier life. In finding and wooing Katie at a tender age, he married into a strong and distinct group of Raleighites who have always particularly charmed and impressed me – that is, the wave of NCSU professors’ kids who came of age in the 70’s, mostly in Cameron Park. The PR’s side room was filled with them, many of whom made it back into town for the event. The late Mike Reynolds, an NCSU Hemingway scholar, was one of the aforementioned parents, but also a personal friend of Russell, who spent some time at NCSU. Mike provided original Hemingway material for publication in Scream, and helped it land on the map of small press publications of the era.
Scream was touted as a new combination of “literature, art comix and journalism.” Drawing on the local zine tradition that included Blind Boy’s Gazette and Biohazard Informe, Russell upped the ante and went for a full scale magazine with designer graphics. The marvelous community of artists, writers, and designers he attracted to his project created a body of work well worth remembering. In September 1985 Guy Munger, NandO’s book editor (and father of another family of Cameron Park intelligentsia) described the first issue thusly:
“…a mad melange of prophecy, poetry and ‘Rollywood Funny Papers’ (what us Mad mag grads call comix). Among the attractions: ‘Gemstone File,’ a collection of predictions starring JFK, Jackie, Richard Nixon, Onassis, Howard Hughes and other notables that would make Nostradamus nervous; an eerie little piece by Mike Reynolds, ‘A Green in June’ about a hedge trimmer who just might play ‘paranoid parchesi’ with a chainsaw, and several poems worthy of note.” (News and Observer, 9-8-85)
Billed as a quarterly, Scream’s run comprised seven issues, ending in 1989. Each was more lush and polished than the previous, and Scream became an important venue for the emerging fusions of genre that would lead to graphic novels. Local expressionist extraordinaire David Larson did many of the covers, but others such as William Waters, Errol Engelbrecht, and Denis Draughon got their turn. Writers such as David Weaver, Richard Butner and Peter Eichenberger published early work. The Rollywood Funny Papers took on a life of their own as the flip side of what was essentially a double magazine, with powerful and beautifully presented dark comix by Lillian Jones, Rick Koobs, and Matt Feazell. Danny Gallant also contributed comix, but became a leading force in Scream’s truly sumptuous graphic designs, executed in multi-color offset by Richard Kilby’s Barefoot Press. The final two issues gained some extra excitement when Charles Bukowski ackowledged his admiration for Scream by sending two pieces for Russell to publish.
After Russell decided to stop publishing Scream, Danny Gallant went on to publish several issues of Alternating Crimes in 1996-97, using an imprint Russell had founded in 1985. Russell was a consulting editor, and Danny continued to work with Russ on his own new publishing project - the catalogs for Boone’s Native Seed Company, his heirloom seed mail-order business. Just as Scream laid new ground for a local literary magazine, these catalogs educated about heirloom plants long before they were hot topics, offered the fruits of Russ and Katie’s wildcrafting, and managed to offer more art and literary value than anything of it’s kind. David Larson’s sultry charcoals and pastels were on the covers, and toward the back- “The Anguished Adventures of Cowboy Ant” ! This comic insertion in a seed catalog featured an ant hero whose work and words rocked the sleazy world of industrial agriculture. Russell wrote the strips and Danny Gallant illustrated and lettered them.
Though he was a successful editor and also worked many years on a novel, Russell’s seed enterprise brought him closer to his true love - outdoors and botanical adventures. He was just about the only person from whom I’d accept a wild mushroom to eat, and I was rather glad he never got to see the destruction of the wooded hills surrounding Lake Raleigh, which he loved to roam. He and Katie went all over the state wildcrafting, and Russell always had so much to teach and share about plants, whether in the wilderness or the garden. His last years were inactive, and for the most part speechless, but Katie faithfully rolled his chair along the greenway and occasionally got him down to Sadlack’s. She will get some well deserved respite now, but she was fiercely loyal to him, and communicated with him in a way that most of us couldn’t. Russell said his piece, a big piece, with Scream, and for that and more he will be well remembered.







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